VOCAL ENSEMBLE

CONDUCTOR ERIK WESTBERG

09
maj

19.00 Stadthagen, Martinikirche

10 maj 19.30 Rinteln, Nikolaikirche
11 maj 19.00 Bielefeld, Zionskirche

The Erik Westberg Vocal Ensemble goes to Germany for three concerts together with Kim Hellgren, viola and David Wahlén, accordeon.

THE VOCAL ENSEMBLE

The Erik Westberg Vocal Ensemble was formed in 1993 and consists of 16–20 singers. The members of the Ensemble work as soloists, church musicians and music teachers and come from northern Sweden and Finland. The Ensemble has commissioned and premiered about 60 works by composers such as Gunnar Eriksson, Paula af Malmborg Ward, Tebogo Monnakgotla, Jan Sandström, Sven-David Sandström, Carl Unander Scharin and Arvo Pärt.

In 1996, the Ensemble’s first CD Musica Sacra was released on the Opus3 label. The Ensemble has had a good 15 CDs and phonograms issued by the record companies Opus3, Studio Acusticum Records and Naxos. Vita Nuova, featuring Swedish choral music, was rated ”world class” by the music magazine OPUS.

The Ensemble has undertaken over 30 international tours to Europe, North and South America, Asia and Oceania. A particularly notable engagement was the project Choral Singing for Peace and Justice with a tour to Tonga and Samoa at the turn of the millennium, seen by more than 500 million TV viewers worldwide.

The Erik Westberg's vocalensembles meeting with the artist / composer Frode Fjellheim makes me think "more, more, more." The Sami artist - who made the success of the festival Pitepeople together with, among others, Katarina Barruk - participates with all three works and it is a joy to hear His marvelous natural splendor meets the finesse of the vocalensemble, suggestive and powerful are no exaggeration words for what we get to hear when chanting chorus floats forward over Daniel Saur's frame drum and Fjellheim's sleepy synonyms in "A sister from the north". that this composer delivers music to Disney is fully logical.

Anders Sandlund Piteå-tidningen

On all previous records that I have heard with the Swedish Erik Westberg's vocal ensemble, I have always been impressed by the healthy sound, the statute of the voices and the purity of the presentation of the mighty demanding repertoire. The latest record, Chorus Gloriosus, with an even more niche repertoire than before - contemporary church music - is no exception. Occasionally, the choir has a more obscure role than before (in favor of the organ and the soloists), but everything that is sung is done with impressive high quality and the selected pieces consistently have a high standard.

Wilhelm Kvist HBL
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